{"id":1065,"date":"2026-09-05T23:52:41","date_gmt":"2026-09-05T15:52:41","guid":{"rendered":"https:\/\/www.brsart.cn\/?p=1065"},"modified":"2026-09-05T23:52:41","modified_gmt":"2026-09-05T15:52:41","slug":"%e5%85%83%e4%bb%a3%e7%ba%b3%e7%9f%b3%e7%9f%a2%e7%bb%87%e9%87%91%e9%94%a6%e6%ae%8b%e7%89%87-yuan-dynasty-nasij-gold-woven-brocade-fragments","status":"publish","type":"post","link":"https:\/\/www.brsart.cn\/index.php\/2026\/09\/05\/%e5%85%83%e4%bb%a3%e7%ba%b3%e7%9f%b3%e7%9f%a2%e7%bb%87%e9%87%91%e9%94%a6%e6%ae%8b%e7%89%87-yuan-dynasty-nasij-gold-woven-brocade-fragments\/","title":{"rendered":"\u5143\u4ee3\u7eb3\u77f3\u77e2\u7ec7\u91d1\u9526\u6b8b\u7247 | Yuan Dynasty Nasij Gold-woven Brocade Fragments"},"content":{"rendered":"

\"\"<\/p>\n

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\nNasij gold-woven brocade was a high-grade fabric exclusive to the imperial court and nobles of the Yuan Dynasty, also transliterated as “Nashishi”. It is a very niche Western craft category among ancient Chinese textile relics. Different from traditional Central Plains silk fabrics such as Song brocade and Shu brocade, it uses gold foil or twisted gold threads as the core pattern material, and weaves them into the brocade base with a special shuttle-picking technique to form resplendent patterns such as medallion baoxiang flowers and pearl-roundel heavenly horses. With thick dense texture and gorgeous luster, it is important physical evidence of Sino-Western cultural exchanges and the noble clothing system in the Yuan Dynasty. Most surviving fragments are unearthed from noble tombs and temple hoards of the Yuan Dynasty in northwest China, with distinct nomadic aesthetic and Central Asian weaving craftsmanship characteristics.
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\nDue to the extreme susceptibility of silk protein fibers to environmental corrosion, and the gradual loss of this weaving technique in the mainland after the fall of the Yuan Dynasty, almost no complete Nasij gold-woven brocade has survived to this day. All existing pieces in China are fragments unearthed from tombs, with fewer than a hundred collections bearing complete patterns. Most of them are collected in archaeological research institutions and silk-themed museums in Xinjiang, Inner Mongolia and other places, and rarely exhibited in national public cultural and museum exhibitions. The public’s understanding of Yuan Dynasty fabrics is mostly limited to ordinary silk clothing, with very little knowledge of this gold-woven brocade integrating Western crafts, making it a very obscure ethnic craft category among ancient Chinese textile relics.<\/p>\n","protected":false},"excerpt":{"rendered":"

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