{"id":912,"date":"2026-08-26T16:45:48","date_gmt":"2026-08-26T08:45:48","guid":{"rendered":"https:\/\/www.brsart.cn\/?p=912"},"modified":"2026-08-26T16:45:48","modified_gmt":"2026-08-26T08:45:48","slug":"%e5%94%90%e4%bb%a3%e8%9e%ba%e9%92%bf%e7%b4%ab%e6%aa%80%e4%ba%94%e5%bc%a6%e7%90%b5%e7%90%b6tang-dynasty-five-stringed-pipa-with-mother-of-pearl-inlay-on-red-sandalwood","status":"publish","type":"post","link":"https:\/\/www.brsart.cn\/index.php\/2026\/08\/26\/%e5%94%90%e4%bb%a3%e8%9e%ba%e9%92%bf%e7%b4%ab%e6%aa%80%e4%ba%94%e5%bc%a6%e7%90%b5%e7%90%b6tang-dynasty-five-stringed-pipa-with-mother-of-pearl-inlay-on-red-sandalwood\/","title":{"rendered":"\u5510\u4ee3\u87ba\u94bf\u7d2b\u6a80\u4e94\u5f26\u7435\u7436Tang Dynasty: Five-Stringed Pipa with Mother-of-Pearl Inlay on Red Sandalwood"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.brsart.cn\/wp-content\/uploads\/2026\/08\/\u5510\u4ee3\u87ba\u94bf\u7d2b\u6a80\u4e94\u5f26\u7435\u7436.png\" alt=\"\" style=\"max-width:100%;height:auto\"><\/p>\n<p>\u87ba\u94bf\u7d2b\u6a80\u4e94\u5f26\u7435\u7436\u662f\u5510\u4ee3\u4f20\u4e16\u4e50\u5668\u4e2d\u7684\u7a00\u4e16\u73cd\u54c1\uff0c\u73b0\u85cf\u4e8e\u65e5\u672c\u5948\u826f\u6b63\u4ed3\u9662\uff0c\u662f\u5510\u671d\u4e2d\u65e5\u6587\u5316\u4ea4\u6d41\u7684\u91cd\u8981\u89c1\u8bc1\u3002\u8fd9\u4ef6\u7435\u7436\u4ee5\u540d\u8d35\u7d2b\u6a80\u4e3a\u7434\u8eab\uff0c\u901a\u4f53\u9576\u5d4c\u87ba\u94bf\u3001\u7425\u73c0\u3001\u73b3\u7441\u7b49\u73cd\u5b9d\uff0c\u7434\u8179\u6b63\u9762\u88c5\u9970\u7740\u9a91\u9a86\u9a7c\u5f39\u7435\u7436\u7684\u80e1\u4eba\u4e50\u5e08\u7eb9\u6837\uff0c\u82b1\u7eb9\u7e41\u590d\u7cbe\u5de7\uff0c\u5728\u5149\u7ebf\u4e0b\u6298\u5c04\u51fa\u6d41\u8f6c\u7684\u5b9d\u5149\uff0c\u534e\u4e3d\u81f3\u6781\u3002<br \/>\nThe five-stringed pipa with mother-of-pearl inlay on red sandalwood is a rare treasure among surviving Tang Dynasty musical instruments. Preserved in the Shosoin Repository in Nara, Japan, it stands as an important testimony to Sino-Japanese cultural exchange in the Tang Dynasty. The instrument is crafted from precious red sandalwood, inlaid throughout with mother-of-pearl, amber and tortoiseshell. The front of the sound box features an elaborate motif of a Hu musician riding a camel and playing the pipa, with intricate patterns that shimmer with iridescent light, embodying the utmost luxury of Tang craftsmanship.<br \/>\n\u4e94\u5f26\u7435\u7436\u8d77\u6e90\u4e8e\u897f\u57df\uff0c\u5728\u5510\u4ee3\u76db\u6781\u4e00\u65f6\uff0c\u5b8b\u4ee3\u4e4b\u540e\u9010\u6e10\u5931\u4f20\uff0c\u5982\u4eca\u5b58\u4e16\u7684\u5510\u4ee3\u4e94\u5f26\u7435\u7436\u4ec5\u6b64\u4e00\u4ef6\uff0c\u586b\u8865\u4e86\u97f3\u4e50\u53f2\u4e0e\u5de5\u827a\u53f2\u7684\u7a7a\u767d\u3002\u5b83\u91c7\u7528\u7684\u87ba\u94bf\u9576\u5d4c\u5de5\u827a\u662f\u5510\u4ee3\u6728\u5668\u5de5\u827a\u7684\u5dc5\u5cf0\u4ee3\u8868\uff0c\u5c06\u4e2d\u4e9a\u3001\u6ce2\u65af\u7684\u88c5\u9970\u98ce\u683c\u4e0e\u4e2d\u539f\u5320\u4eba\u6280\u827a\u5b8c\u7f8e\u878d\u5408\uff0c\u662f\u76db\u5510\u5f00\u653e\u5305\u5bb9\u7684\u6587\u5316\u6c14\u8c61\u7684\u7f29\u5f71\u3002<br \/>\nThe five-stringed pipa originated in the Western Regions and flourished in the Tang Dynasty, but gradually fell into oblivion after the Song Dynasty. This is the only surviving Tang Dynasty five-stringed pipa in the world, filling a gap in the history of music and craftsmanship. Its mother-of-pearl inlay technique represents the pinnacle of Tang Dynasty woodworking, perfectly blending Central Asian and Persian decorative styles with Central Chinese artisan skills, and serving as a microcosm of the open, inclusive cultural ethos of the High Tang era.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u87ba\u94bf\u7d2b\u6a80\u4e94\u5f26\u7435\u7436\u662f\u5510\u4ee3\u4f20\u4e16\u4e50\u5668\u4e2d\u7684\u7a00\u4e16\u73cd\u54c1\uff0c\u73b0\u85cf\u4e8e\u65e5\u672c\u5948\u826f\u6b63\u4ed3\u9662\uff0c\u662f\u5510\u671d\u4e2d\u65e5\u6587\u5316\u4ea4\u6d41\u7684\u91cd\u8981\u89c1\u8bc1\u3002\u8fd9\u4ef6\u7435\u7436\u4ee5\u540d\u8d35 [&hellip;]<\/p>\n","protected":false},"author":71,"featured_media":913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/posts\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/users\/71"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":1,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"predecessor-version":[{"id":914,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/posts\/912\/revisions\/914"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/media\/913"}],"wp:attachment":[{"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brsart.cn\/index.php\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}